lunes, 23 de junio de 2008

LICEO DE BACHILLERATO DE LA UIVERSIDAD DE MEDELLIN
BLOG EN CONSTRUCCIÓN

jueves, 12 de junio de 2008

Second period­­­­­­­­_ 11th grade

REINFORCEMENT

Second period­­­­­­­­_ 11th grade ­­


BEETHOVEN:


Beethoven's father, Johanns, was a court Tenor and pianist and was the first person to instruct young Ludwig in music. He taught him the piano, violin, and also possibly the viola. He went to elementary school in the Neugasse until his first public performance at the age of 7, where his father, seeing the latent talent that his son possessed, sought out for him other teachers, more suited for his talent. The most notable of his teacher was Christian Gottlob Neefe, who was responsible for introducing young Ludwig to the music of Johann Sebastian Bach. By 1782, Beethoven was already assisting Neefe as deputy court organist in Bonn, and it was in the same year that his first work, a set of variations on a march theme by Dressler, was published. He then played viola in the Bonn symphony until he went to Vienna in 1787, with the idea of studying with Mozart. His plan for studying with Mozart was cut short though, by the sudden death of his mother, and thusly he being recalled back to Bonn to be at her bedside when she finally passed on. He returned to Vienna in 1792, to study with Haydn, ( Mozart having died in 1791).


He was to remain in Vienna for the rest of his life, where he was to write his most remembered, and popular pieces, including Symphonies 4,5 and 9. He became well known at first, for his piano playing, having attained the level of virtuoso, and became well known among the aristocracy for his ability to improvise. By 1802, he was to have written 32 of his piano sonatas, and his first 2 symphonies, 18 string quartets, and his first 3 piano concertos. Sadly though, it was around this time, that the deafness, that he had noticed coming on 5-6 years previously, began to hit him even harder. This was a time of great despair for him, as is seen in the letters he wrote to his brothers in the "Heiligenstadt Testament", which were never sent, but were found among his possessions along with the "Immortal Beloved " letters, after his death. During this middle period of his life, he wrote symphonies 3-8,piano concertos 4 & 5, and his violin concerto, to name a few.


His involvement in the custody dispute of his nephew Karl, also slowed his musical output, and his production of music until around 1816 was almost stagnant. But the years following 1816 are arguably his most productive, with his 9th symphony, his final 7 piano sonatas, and a set of string quartets, which unlike their predecessors., have 6 and 7 movements, instead of the usual 4. He was able to complete these masterful creations, including the extended finale in the 9th symphony, Ode to Joy, while being almost completely deaf.. There is a story that circulates which says that at the finish of conduction the 9th, he just stood there facing the symphony, and not knowing that the crowd was applauding, because of his deafness, and his ability to hear the applause. He had to be turned around, to see the effect of his musical masterpiece upon the crowd. He continued to compose late into his life, until his death. He was buried with honors in Vienna, and his funeral was said to have been attended by more then 10,000 people, which shows the true following that his music created among the people who were blessed with being







TALLER

NOTA. El taller debe ser realizado a mano, en hojas de bloc tamaño carta.

Sino presenta el taller, no tiene derecho a los exámenes.

  1. Traducir el texto

  2. Subrayar vocabulario y consultarlo. Aprenderse mínimo 20 palabras, (primer examen)

  3. Hacer lista de verbos

  4. Pasar las siguientes preguntas (referentes al texto) a inglés y responderlas

    1. ¿Quién fue el primer instructor de Beethoven?

    2. ¿A qué edad fue su primera presentación?

    3. ¿Qué pasó en 1802?

    4. ¿Dónde tocó Beethoven la viola, (instrumento parecido al violín)

    5. ¿Con quién estudió Beethoven cuando volvió a Viena en 1792?

  5. Aprenderse las preguntas y las respuestas en inglés para uno de los exámenes


First period­­­­­­­­_ 11th grade

REINFORCEMENT

First period­­­­­­­­_ 11th grade ­­



VINCENT VAN GOGH


Van Gogh produced some 800 paintings and a similar number of drawings. He also left some 600 letters mostly written to his beloved and devoted brother, Theo. He failed miserably in love, friendship, career, and in the three relationships to which he was most devoted; his Calvinist minister father, his church, and his god. He spoke Dutch, French, German and English, read extensively and failing as a preacher he devoted himself to painting the worker and nature.


In 1880, at the age of 26, he suffered his first nervous breakdown. He wrote to his brother saying


"In spite of everything, I shall rise again: I will take up my pencil, which I have forsaken in my great discouragement, and I will go on with my drawing."


His early work depicts humble subjects, his middle years are portraits, room settings, and "still lifes" of flowers and in his last years, after admitting himself into sanatorium he created his finest work. Vincent Van Gogh sold only one painting during his life time.

1853 Vincent van Gogh is born on March 30 in Groot-Zundert, Holland to Theodorus Van Gogh and Anna Cornelia née Carbentus

1857 His brother Theo is born on May 1.

1864 Vincent starts school and begins to draw.

1869 After finishing his schooling, Vincent is apprenticed to the Paris great art dealers Goupil & Cie, in the Hague and visits the museums.

1872 Vincent spends much time with his brother, Theo. They begin a lifelong correspondence.

1873 Vincent is transferred to the London branch of Goupil & Cie and falls in love with the daughter of the Mrs. Ursula Loyer, who runs the boarding house where he is staying. He is rejected and depression sets in.

1874 He is transferred to the Paris branch. By the end of the year, he returns to London.

1875 His job deteriorates but his bible studies become obsessive.

1876 He journeys to Ramsgate, England where he takes a post at a small boarding school. Later he takes a new job as a teacher and curate with a Methodist minister. His religious fervour increases, but his physical and mental state deteriorate.

1877 Vincent leaves England and takes a job in a bookshop, behaves abrasively, leaves and pursues religious studies in Amsterdam.


1878 Formal religious studies end, but, with a religious vocation, Vincent travels to the Borinage, and reads from the bible to the miners, lives in poverty and tends to the sick.

1879 His behaviour is extreme. Vincent is soon relieved of his position and suffers depression at his failure. He moves to Cuesmes to work helping miners. His religious devotion begins to wane and his interest in painting is renewed. Theo begins to financially support him from now until his death. He undertakes some studies of anatomy and perspective at the Academy in Brussels.


1881 He visits Theo and has his advances rejected by his cousin Cornelia Adriana Vos-Stricker. He spends time with the painter, Anton Mauve who introduces Vincent to watercolours. Vincent's mental state again deteriorates and his relationship with his father also begins to crumble.


1882 Vincent meets Clasina Maria Hoornik and they move in together. A prostitute with a five year old daughter and is pregnant with another child. He is hospitalised for three weeks for gonorrhoea. Then he begins to experiment with oils and spends much time painting nature as well as using the woman and her newborn child as models.


1883 Vincent ends his relationship and devotes himself exclusively to his work. He travels to Drente in northern Holland and paints the bleak landscape as well as the peasant workers. Later in the year, Vincent moves to Nuenen to stay with his parents.


1884 Begins a relationship with a neighbour's daughter, Margot Begemann. Both families are opposed to their plan to marry and, in despair, Margot attempts to poison herself. He strikes up a friendship with Anton C. Kerssemakers and spends much time discussing art and visiting museums.


1885 After the death of his father in March, Vincent paints his first great work, The Potato Eaters . He begins to use a greater variety of colours and becomes interested in Japanese woodcuts.


1886 Attempts more formal training in art at the Ecole des Beaux-Arts, but he rejects many of the principles he's taught and withdraws. Moves to Paris and lives with Theo. Submits some of his works to the Antwerp Academy and is put in a beginner's class then leaves. A turning point when he begins studies with Cormon where he meets John Russell, Henri de Toulouse-Lautrec and Emile Bernard. Theo introduces him to the works of the Impressionists: Claude Monet, Pierre-August Renoir, Camille Pissarro, Edgar Degas and Georges Seurat. He becomes friends with painter, Paul Gauguin, He experiments with Japonaiseries and pointillism.


Paul Guguin and the home in Arles


1888 Leaves Paris in February and moves to Arles. The bad, winter weather prevents Vincent from working, but come spring he begins painting the flowering Provence landscapes. He moves into the "Yellow House", and hopes to establish as an artists' community. He paints some of his best work. Gauguin arrives in October and moves in. An extremely productive time for Vincent and Gauguin, though turbulent. Their relationship is finally destroyed on December 23 when Vincent is supposed to have attacked Gauguin with a razor. Vincent loses all reason and cuts off his left earlobe. He then wraps it in newspaper and presents it to a prostitute at the local brothel he frequented. He is then hospitalised and shortly afterward Theo arrives and he leaves hospital on January 7. At times he is calm and coherent; at others he suffers hallucinations and delusions. He enters the Saint Paul-de-Mausole mental asylum at Saint-Rémy-de-Provence. His series of twisted olive groves and cypresses are painted from the asylum, but he tries to poison himself by swallowing his paints. He confines himself indoors and begins to do a series paintings based on the works of other artists. As his mental state deteriorates his work begins to receive recognition in the art community. He is invited to exhibit six of his works by Octave Maus, secretary of the Belgian artist group, Les XX. He again tries to poison himself.


1890 His works gain more recognition. On January 31 Theo's wife, Jo, gives birth to a son who they name Vincent Willhem. He is put under the care of Dr. Paul Gachet. He arrives in Paris looking fit and well. In May he moves to Auvers-sur-Oise, just north of Paris and begins to paint with incredible energy, producing more than 80 paintings in his last two months. Dr. Gachet feels that Vincent has made a complete recovery, and Vincent spends a great deal of time with Theo, his wife Jo and their new son. Theo experiences financial difficulties and his new son is ill. Vincent visits Theo on July 6 and is devastated, his mental state plummets. On July 27 Vincent goes for a walk and shoots himself in the chest with a pistol but staggers home. He is eventually found, but the bullet cannot be removed. He spends his last hours sitting up in bed and smoking a pipe, with Theo at his side. Near the end, Theo climbs into bed with Vincent and cradles his head in his arms. Vincent says: "I wish I could pass away like this." Vincent dies early the next morning on July 29. The funeral takes place shortly thereafter and his coffin is covered with dozens of sunflowers, which he loved so much.


1891 After Vincent's death Theo fell into a deep depression and died a mere six months after that of his brother on the 25th January at age 33. His doctor noted that 'Theo suffered from overstrain and sorrow: he had a life full of emotional stress"


1914 Theo's body is exhumed and he is buried in a grave next to Vincent in Auvers-sur-Oise.


Brother Theo, his wife Johanna & son Vincent Willem and Vincent Willem later in life.


Vincent Willem inherited the vast bulk of the paintings of his uncle and turned them over in the 1960's to be housed in a new museum built by the Netherlands Government (see below)


Vincent and Me


Many years ago I visited Arles the town that saw some great works by Van Gough, but one of the enduring memories was a trip to the Van Gough Museum in Amsterdam. The largest collection of paintings and memorabilia of this profound artist. Arranged in order of composition the paintings read like an autobiography. As you walk past you can see the moods and twisted disintegration of a mind of genius. No art experience has affected me so.


TALLER

NOTA. El taller debe ser realizado a mano, en hojas de bloc tamaño carta.
Sino presenta el taller, no tiene derecho a los exámenes.

  1. Traducir el texto

  2. Subrayar vocabulario y consultarlo. Aprenderse mínimo 20 palabras, (primer examen)

  3. Hacer lista de verbos

  4. Pasar las siguientes preguntas (referentes al texto) a inglés y responderlas

    1. ¿Cuántas Cartas escribió Van Goh, y la mayoría, a quién?

    2. ¿Qué hizo Van Goh al final de 1874?

    3. ¿Por qué se deterioró el estado mental de Van goh?

    4. ¿En qué año conoció Van Goh a Classina María Hoornik?

    5. ¿En qué año y con quién se mudó Van Goh a París?

  5. Aprenderse las preguntas y las respuestas en inglés para uno de los exámenes


Second period­­­­­­­­_ 10th grade

REINFORCEMENT

Second period­­­­­­­­_ 10th grade ­­

    SALVADOR DALÍ

    http://members.tripod.com/Barry_Stone/dali.htm

    Salvador Felipe Jacinto Dali I Domenech was born on 11 th. May 1904 in the small town of Figueres, Spain, in the foothills of the Pyrenees. His father was a wealthy notary, and he spent his childhood in Figueres and at their summer home in the coastal village of Cadaques where his parents built his first studio. As an adult, he made his home with his wife Gala in nearby Port Lligat. Dali attended the San Fernando Academy of Fine Arts in Madrid. He had his first one-man show in Barcelona in 1925. He became internationally known when three of his paintings, were shown in the third annual Carnegie International Exhibition in Pittsburgh in 1928.

    1929 Dali held his first show in Paris. He also joined the surrealists, led by former Dadaist Andre Breton. That year, Dali met Gala Eluard when she visited him in Cadaques with her husband, poet Paul Eluard. She became Dali's lover, muse, business manager, and greatest inspiration. They eventually married on the 8th. August 1958 six years after the death of her first husband

    Dali became a leader of the surrealist movement. His painting, The Persistance of Memory, with the melting watches is still one of the best-known pieces of art in the world. As the war approached, Dali clashed with the surrealists and was expelled from the surrealist group in 1934, however he continued to exhibit works internationally throughout the decade. By 1940, Dali was moving into a new style known as his classic period, exhibiting a preoccupation with science and religion.

    They left Europe during World War II, spending 1940-48 in the United States. The Museum of Modern Art in New York gave Dali his first major retrospective exhibit in 1941. This was followed in 1942 by the publication of Dali's autobiography, The Secret Life of Salvador Dali.

    As Dali moved away from Surrealism and into his classic period, he began a series of 19 large canvases, many concerning scientific, historical or religious themes. Among the best known of these works are The Hallucinogenic Toreador, and The Discovery of America by Christopher Columbus in the museum's collection, and The Sacrament of the Last Supper. In 1965 he published his Publishes his book "Diary of a Genius." book "Diary of a Genius." In 1974, Dali designed and opened the Teatro Museo in Figueres, Spain. This was followed by retrospectives in Paris and London. Louis Bunuel, The Marx Brothers, an unmade Disney film and had audiences with several Popes

    On June 10th 1982 Gala died in Port Lligat at age eighty eight. Dali became a member of the nobility when King Juan Carlos, made him Marquis of Pubol and he moved into the Castle at Pubol, which was given to Gala as a gift. Dali's health began to fail and he painted his last painting "The Swallows Tail" in 1983. He was burned in a fire at home in 1984. Two years later, a pace-maker was implanted. Much of this part of his life was spent in seclusion in Pubol and his apartment at Torre Galatea, adjacent to the Teatro Museo.

    Salvador Dali died on January 23, 1989 in Figueres from heart failure with respiratory complications. He is interred in a crypt at the lower level of the Teatro-Museo Dali, leaving his estate to the Kingdom of Spain and the Independent Region Of Catalonia.

  1. TALLER

NOTA. El taller debe ser realizado a mano, en hojas de bloc tamaño carta.
Sino presenta el taller, no tiene derecho a los exámenes.

  1. Traducir el texto

  2. Subrayar vocabulario y consultarlo. Aprenderse mínimo 20 palabras, (primer examen)

  3. Hacer lista de verbos

  4. Pasar las siguientes preguntas (referentes al texto) a inglés y responderlas

    1. ¿Dónde y cuándo nació Salvador Dalí?

    2. ¿A qué academia de artes asistió Dalí?

    3. ¿Quién fue Gala en la vida de Dalí??

    4. ¿Qué pasó en 1940?

    5. ¿Cuándo y dónde murió Dalí?

  5. Aprenderse las preguntas y las respuestas en inglés para uno de los exámenes

First period­­­­­­­­_ 10th grade

REINFORCEMENT

First period­­­­­­­­_ 10th grade ­­

Natural environment

From Wikipedia, the free encyclopedia

The natural environment, commonly referred to simply as the environment, is a terminology that comprises all living and non-living things that occur naturally on Earth or some region thereof. This term includes a few key components:

  1. Complete ecological units that function as natural systems without massive human intervention, including all vegetation, animals, microorganisms, rocks, atmosphere and natural phenomena that occur within their boundaries.

  2. Universal natural resources and physical phenomena that lack clear-cut boundaries, such as air, water, and climate, as well as energy, radiation, electric charge, and magnetism, not originating from human activity.

The natural environment is contrasted with the built environment, which comprises the areas and components that are strongly influenced by man. A geographical area is regarded as a natural environment (with an indefinite article), if the human impact on it is kept under a certain limited level (similar to section 1 above). This level depends on the specific context, and changes in different areas and contexts. The term wilderness, on the other hand, refers to areas without human intervention.

It is the common understanding of natural environment that underlies environmentalism — a broad political, social, and philosophical movement that advocates various actions and policies in the interest of protecting what nature remains in the natural environment, or restoring or expanding the role of nature in this environment. While true wilderness is increasingly rare, wild nature (e.g., unmanaged forests, uncultivated grasslands, wildlife, wildflowers) can be found in many locations previously inhabited by humans.

Goals commonly expressed by environmental scientists include:

Very large development projects - also called megaprojects - pose special challenges and risks to the natural environment. Major dams and power plants are cases in point. The challenge to the environment from such projects is growing because more and bigger megaprojects are being built, in developed and developing nations alike.[1]

Recently, there has been a strong concern about climate change such as global warming caused by anthropogenic releases of greenhouse gases, most notably carbon dioxide, and their interactions with humans and the natural environment. Efforts here have focused on the mitigation of greenhouse gases that are causing climatic changes (e.g. through the Climate Change Convention and the Kyoto Protocol), and on developing adaptative strategies to assist species, ecosystems, humans, regions and nations in adjusting to the Effects of global warming.

A more profound challenge, however, is to identify the natural environmental dynamics in contrast to environmental changes not within natural variances. A common solution is to adapt a static view neglecting natural variances to exist. Methodologically this view could be defended when looking at processes which change slowly and short time series, while the problem arrives when fast processes turns essential in the object of the study

TALLER

NOTA. El taller debe ser realizado a mano, en hojas de bloc tamaño carta.
Sino presenta el taller, no tiene derecho a los exámenes.

  1. Traducir el texto

  2. Subrayar vocabulario y consultarlo. Aprenderse mínimo 20 palabras, (primer examen)

  3. Hacer lista de verbos

  4. Pasar las siguientes preguntas (referentes al texto) a inglés y responderlas

    1. ¿Qué es ambiente natural?

    2. ¿Qué componentes incluye el ambiente natural y qué hacen?

    3. ¿Cómo es contrastado el ambiente natural?

    4. ¿Qué incluyen las metas comúnmente expresadas por los científicos?

    5. ¿Qué desafíos especiales y riesgos plantean los megaproyectos?

  5. Aprenderse las preguntas y las respuestas en inglés para uno de los exámenes